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Introduction : the work of architecture in the age of commodification | ||
1 | Spectacle and its discontents; or, the elusive joys of architainment | 1 |
2 | Less for less yet : on architecture's value(s) in the marketplace | 8 |
3 | Brand aid; or, the Lexus and the Guggenheim (further tales of the notorious B.I.G.ness) | 22 |
4 | Hyphenation nation : blurred forms for a blurred world | 34 |
5 | Architecture for sale(s) : an unabashed apologia | 47 |
6 | Rocking for the clampdown : creativity, corporations, and the crazy curvilinear cacophony of the experience music project | 60 |
7 | Rockbottom : villa by OMA | 78 |
8 | Inside the blue whale : a day at the bluewater mall | 88 |
9 | We dig graves - all sizes | 100 |
10 | The second greatest generation | 113 |
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Add Commodification and Spectacle in Architecture: A Harvard Design Magazine Reader, More than ever, architectural design is seen as a means to promote commercial goals rather than as an end in itself. Frank Gehry's Guggenheim Museum in Bilbao, for example, simply cannot be considered apart from its intended role as a catalyst for the eco, Commodification and Spectacle in Architecture: A Harvard Design Magazine Reader to the inventory that you are selling on WonderClubX
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Add Commodification and Spectacle in Architecture: A Harvard Design Magazine Reader, More than ever, architectural design is seen as a means to promote commercial goals rather than as an end in itself. Frank Gehry's Guggenheim Museum in Bilbao, for example, simply cannot be considered apart from its intended role as a catalyst for the eco, Commodification and Spectacle in Architecture: A Harvard Design Magazine Reader to your collection on WonderClub |