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Foreword Henry Cisneros vii
Acknowledgments xi
The New Metropolitan Geography of Immigration
Twenty-First-Century Gateways: An Introduction Audrey Singer 3
Toward a Suburban Immigrant Nation Susan W. Hardwick 31
Emerging Gateways: The Leading Edge of Change
"Big D": Incorporating New Immigrants in a Sunbelt Suburban Metropolis Caroline B. Brettell 53
Diverging Trajectories: Asian and Latino Immigration in Metropolitan Phoenix Alex Oberle Wei Li 87
Unsettled in the Suburbs: Latino Immigration and Ethnic Diversity in Metro Atlanta Mary E. Odem 105
Edge Gateways: Immigrants, Suburbs, and the Politics of Reception in Metropolitan Washington Marie Price Audrey Singer 137
Re-Emerging Gateways: Attracting Immigrants Again
Immigrant Space and Place in Suburban Sacramento Robin Datel Dennis Dingemans 171
Impediments to the Integration of Immigrants: A Case Study in the Twin Cities Katherine Fennelly Myron Orfield 200
"Placing" the Refugee Diaspora in Suburban Portland, Oregon Susan W. Hardwick James E. Meacham 225
Pre-Emerging Gateways: UnexpectedChange
Austin: Immigration and Transformation Deep in the Heart of Texas Emily Skop Tara Buentello 257
The "Nuevo South": Latino Place Making and Community Building in the Middle-Ring Suburbs of Charlotte Heather A. Smith Owen J. Furuseth 281
Afterword: Coming to Terms with Federal and Local Immigration Reform Audrey Singer Susan W. Hardwick Caroline B. Brettell 308
Contributors 319
Index 321
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Ronald Oshrin
reviewed Twenty-First Century Gateways: Immigrant Incorporation in Suburban America on October 12, 2014 Twenty-First Century Gateways: Immigrant Incorporation in Suburban America
If you work in the humanities but think its insular nature is absurd, this book may be for you. Although it's essentially an architectural text, you can replace "architecture" with "art" or "literature" or "poetry" and many of the main concepts will ring true.
Basic idea: Modernism is a stupid pipe dream because you can't base what people want on geometry and forms; you need to examine what they respond to with emotions and desire.
I consider myself a better artist for having read this.
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