Postmodern Music/Postmodern Thought Book

	Acknowledgments
	Series Editor's Foreword
Sect. I	Theoretical Foundations and Debates
Ch. 1	Introduction	1
Ch. 2	The Nature and Origins of Musical Postmodernism	13
Ch. 3	Reflections of Surrealism in Postmodern Musics	27
Ch. 4	Postmodernism and Art Music in the German Debate	75
Ch. 5	Music and Musical Practices in Postmodernity	93
Ch. 6	Postmodern Architecture/Postmodern Music	119
Ch. 7	Feminine/Feminist? In Quest of Names with No Experiences (Yet)	141
Sect. II	Scaling the High/Low Divide
Ch. 8	Postmodern Polyamory or Postcolonial Challenge? Cornershop's Dialogue from West, to East, to West	177
Ch. 9	Production vs. Reception in Postmodernism: The Gorecki Case	195
Ch. 10	"Where's It At": Postmodern Theory and the Contemporary Musical Field	207
Sect. III	Compositional Voices
Ch. 11	Music, Postmodernism, and George Rochberg's Third String Quartet	235
Ch. 12	Resistant Strains of Postmodernism: The Music of Helmut Lachenmann and Brian Ferneyhough	249
Ch. 13	Imploding the System: Kagel and the Deconstruction of Modernism	263
Ch. 14	Collage vs. Compositional Control: The Interdependency of Modernist and Postmodernist Approaches in the Work of Mauricio Kagel	287
Sect. IV	Linking the Visual and Aural Domains
Ch. 15	Race and Reappropriation: Spike Lee Meets Aaron Copland	303
Ch. 16	The Politics of Feminism, Postmodernism, and Rock: Revisited, with Reference to Parmar's Righteous Babes	323
Ch. 17	Natural Born Killers: Music and Image in Postmodern Film	335
	Contributors	361
	Index	365