Music, Sensation, and Sensuality Book

	Series Editor's Foreword
	Introduction	1
1	Descartes on Musical Training and the Body	17
2	Bemetzrieder's Dream: Diderot and the Pathology of Tonal Sensibility in the Lecons de clavecin	39
3	"Little Pearl Teardrops": Schubert, Schumann, and the Tremulous Body of Romantic Song	57
4	Untying the Music/Language Knot	77
5	Sensational Sacrifices: Feasting the Senses in the Bolivian Andes	97
6	Siren Sensualities in Physical Theatre: Lloyd Newson's Strange Fish (1992)	121
7	Heroism Undone: The Erotic Manuscript Parodies of Jean-Baptiste Lully's Tragedies en Musique	137
8	Processions for the Dead, the Senses, and Ritual Identity in Colonial Mexico	167
9	Between Life and Death: The Funeral and Mourning Rituals of the Southeastern Hungarian Vlach Roma	181
10	The Call of the Human Voice in Poulenc's La Voix Humaine	199
11	The Performance of Vision in Peter Sellars's Television Production of Cosi fan tutte	213
12	Sensational, Performing, and Promotional Bodies	231
13	Musical Instruments, Glass Cases, and Headsets: Sound and Sensation in France's Museum of Music	245
14	Village Noise and Bruegel's Parables	267
15	Pastoral Pleasures, Sensual Sounds: Paintings of Love, Music, and Morality in Sixteenth-Century Italy	285
16	The Signifying Serpent: Seduction by Cultural Stereotype in Seventeenth-Century England	299
17	Musicology and the Problem of Sonic Abuse	321
18	An Historical Perspective on the Study of Music Perception	335
	Index	343