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Acknowledgments; Introduction: Things Ain't What They Used to Be? Race and Jazz Criticism; Chapter 1: Music and National Culture; Chapter 2: "The Jazz Age": Nativism, Ethic Pluralism, and Their Discontents; Chapter 3: F. Scott Fitzgerald and the Instabilities of Whiteness; Chapter 4: Wandering Aesthetic, Wandering Consciousness: Langston Hughes's Early Jazz Poetry; Conclusion: Where Do We Go from Here? Works Cited
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Todd Ostrokolowicz
reviewed Writing Jazz: Race, Nationalism and Modern Culture on January 01, 2011
Writing Jazz: Race, Nationalism and Modern Culture
Wonderful years of research into the Gullah tales of Charleston - bizarre yet real! Good introduction to the Afro-American legends of old Charleston!
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Add Writing Jazz: Race, Nationalism and Modern Culture, This study examines how early writers of jazz criticism (such as Gilbert Seldes and Carl Van Vechten) and literature (F. Scott Fitzgerald and Langston Hughes)--as well as jazz performers and composers (such as Al Jolson, Sophie Tucker, and George Gershw, Writing Jazz: Race, Nationalism and Modern Culture to the inventory that you are selling on WonderClubX
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Add Writing Jazz: Race, Nationalism and Modern Culture, This study examines how early writers of jazz criticism (such as Gilbert Seldes and Carl Van Vechten) and literature (F. Scott Fitzgerald and Langston Hughes)--as well as jazz performers and composers (such as Al Jolson, Sophie Tucker, and George Gershw, Writing Jazz: Race, Nationalism and Modern Culture to your collection on WonderClub |
