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Acknowledgments | ||
General Editor's Note | ||
Introduction | ||
Crossing Boundaries: Directing Gay, Lesbian, and Working-Class Theatre in Scotland | 3 | |
Belgian/American Theatre Exchanges: Reflections and Bridges | 25 | |
Stanislavsky Meets Shepard at the Shchepkin | 43 | |
On the Edge: Utrecht, Netherlands 1993 | 59 | |
Maybe Theatre Is Born: Directing Student Theatre in Communist and Post-Communist Poland | 73 | |
The Politics of The Professional: Connecting the Prose with the Passion | 89 | |
Vestiges of Control: Censorship and Society in Contemporary Egyptian Theatre | 105 | |
Year of Improvising in the Balkans | 119 | |
After the Visit, the Ruins | 135 | |
East Meets West Meets Hamlet: Get Thee to a Noh Master | 149 | |
Kuando 1991: A New Beginning A Ritual Pilgrimage | 165 | |
Israel's Rina Yerushalmi and Her Directorial Experiments in Spatial Interrelations | 183 | |
Diablomundo and the Royal Hunt: The Shadow and the Sun | 197 | |
List of Contributors | 217 |
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