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Acknowledgments | ||
1 | Introduction: The Ends of Performance | 1 |
2 | History, Memory, Necrophilia | 23 |
3 | Seeing Death: The Photography of David Wojnarowicz | 31 |
4 | On Colonial Forgetting: The Conquest of New Mexico and Its Historia | 52 |
5 | Performing Writing | 73 |
6 | Teaching "Experimental Critical Writing" | 104 |
7 | This Black Body in Question | 116 |
8 | A Fool's Discourse: The Buffoonery Syndrome | 131 |
9 | Spare Parts | 149 |
10 | AmeRican Accents Syncopate the State | 169 |
11 | Border Watching | 178 |
12 | Staging Crisis: Twin Tales in Moving Politics | 186 |
13 | Bodies outside the State: Black British Women Playwrights and the Limits of Citizenship | 197 |
14 | Genre Trouble: (The) Butler Did It | 217 |
15 | The Mirrored Stage: Reflections on the Presence of Sylvia [Bataille] Lacan | 236 |
16 | Virtual Criticism and the Dance of Death | 247 |
17 | The Bed Took up Most of the Room | 262 |
18 | Orlan's Performative Transformations of Subjectivity | 285 |
19 | Intervention | 315 |
20 | Of Mice, Bugs and Women | 328 |
21 | What Is Performance Studies Anyway? | 357 |
Contributors | 363 | |
Index | 367 |
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