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Acknowledgments | ||
Introduction | ||
Pt. 1 | Memoir | |
Introduction: The Voice That Passes through Me, An Interview with Meena Alexander | 3 | |
How My Stories Were Written | 10 | |
The Grandfather of the Sierra Nevada Mountains | 14 | |
The Faintest Echo of Our Language | 21 | |
From Among the White Moon Faces: An Asian American Memoir of Homelands | 29 | |
From My Own Country: A Doctor's Story of a Town and Its People in the Age of AIDS | 38 | |
From Where the Body Meets Memory | 46 | |
From Ono Ono Girl's Hula | 52 | |
Pa | 59 | |
Pt. 2 | Poetry | |
Introduction: Absorbing and Being Absorbed by Poetry | 69 | |
Untitled | 77 | |
Filling the Gap | 78 | |
Thirty Years Under | 80 | |
Cincinnati | 81 | |
Smokey's Getting Old | 83 | |
Recipe | 85 | |
Why Is Preparing Fish a Political Act? | 86 | |
Yellow Light | 87 | |
The Gift | 89 | |
Urban Love Songs | 90 | |
The Chocolatier | 93 | |
Strawberries | 94 | |
This Room and Everything in It | 96 | |
From "In Search of Evanescence" | 98 | |
Andy Warhol Speaks to His Two Filipino Maids | 100 | |
Not Much Art | 101 | |
Ceylon | 103 | |
The Floral Apron | 105 | |
Kala Gave Me Anykine Advice Especially about Filipinos When I Moved to Pahala | 106 | |
A Conservative View | 108 | |
The Founding of Yuba City | 110 | |
Prints | 112 | |
Reading the Poem about the Yew Tree | 113 | |
News of the World | 114 | |
The Young of Tiananmen | 116 | |
They Don't Think Much about Us in America | 117 | |
Walls | 119 | |
Beetle on a String | 120 | |
Ch'onmun Hak | 121 | |
Zenith | 123 | |
The Bitterness of Bodies We Bear | 125 | |
The Dead | 127 | |
Sister Play | 128 | |
From The Redshifting Web | 129 | |
Projections | 130 | |
Pt. 3 | Fiction | |
Introduction: In That Valley Beautiful Beyond | 133 | |
In the Land of the Free | 140 | |
The Story of a Letter | 147 | |
He Who Has the Laughing Face | 151 | |
Seventeen Syllables | 154 | |
From No-No Boy | 164 | |
From Clay Walls | 170 | |
Melpomene Tragedy | 179 | |
Railroad Standard Time | 185 | |
Batista and Tania Aparecida Djapan | 190 | |
The Valley of the Dead Air | 195 | |
Rated-L | 203 | |
Our Lady of Kalihi | 205 | |
A New Beginning | 206 | |
Kim | 213 | |
Seeds | 219 | |
Fredo Avila | 226 | |
A Difference of Background | 236 | |
Elvis of Manila | 243 | |
From Monkey King | 250 | |
From A Cab Called Reliable | 257 | |
The Goddess of Sleep | 260 | |
From The Necessary Hunger | 264 | |
Western Music | 272 | |
Chagrin | 280 | |
From The Foreign Student | 285 | |
Show and Tell | 291 | |
Mrs. Sen's | 299 | |
The Shylocks | 313 | |
Pt. 4 | Drama | |
Introduction: Asian American Theater Awake at the Millennium | 323 | |
From Eye of the Coconut | 333 | |
From Assimilation | 340 | |
Mask Dance | 351 | |
From Mua He Do Lual Red Fiery Summer | 387 | |
From Three Lives | 395 | |
From Texas | 398 | |
App. 1: Themes and Topics | 419 | |
App. 2: Ethnicity of Authors | 423 | |
Glossary | 425 | |
About the Contributors | 427 | |
About the Editors | 435 | |
Copyrights and Permissions | 437 | |
Index of Authors and Titles | 441 |
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Add Bold Words: A Century of Asian American Writing, A century of Asian American writing has generated a forceful cascade of bold words. This anthology covers writings by Asian Americans in all genres, from the early twentieth century to the present. Some sixty authors of Chinese, Filipino, Japanese, Kore, Bold Words: A Century of Asian American Writing to the inventory that you are selling on WonderClubX
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Add Bold Words: A Century of Asian American Writing, A century of Asian American writing has generated a forceful cascade of bold words. This anthology covers writings by Asian Americans in all genres, from the early twentieth century to the present. Some sixty authors of Chinese, Filipino, Japanese, Kore, Bold Words: A Century of Asian American Writing to your collection on WonderClub |