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Acknowledgments | ||
Introduction | 1 | |
Barbie Magazine and the Aesthetic Commodification of Girls' Bodies | 21 | |
This Year's Girl: A Personal/Critical History of Twiggy | 41 | |
A Woman's Two Bodies: Fashion Magazines, Consumerism, and Feminism | 59 | |
No Bumps, No Excrescences: Amelia Earhart's Failed Flight into Fashions | 76 | |
Sonia Rykiel in Translation | 95 | |
From Celebration | 100 | |
Off the (W)rack: Fashion and Pain in the Work of Diane Arbus | 111 | |
An Erotics of Representation: Fashioning the Icon with Man Ray | 125 | |
Seduction and Elegance: The New Woman of Fashion in Silent Cinema | 140 | |
Madonna, Fashion, and Identity | 159 | |
Fragments of a Fashionable Discourse | 183 | |
Women Recovering Our Clothes | 197 | |
Fashion and the Homospectatorial Look | 211 | |
Terrorist Chic: Style and Domination in Contemporary Ireland | 235 | |
Paris or Perish: The Plight of the Latin American Indian in a Westernized World | 267 | |
Tribalism in Effect | 284 | |
Selected Bibliography | 301 | |
Contributors' Notes | 303 | |
Index | 307 |
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Add On Fashion, Until recently, fashion was considered the F-word in intellectual circles, dismissed as unworthy of serious attention. Yet no area of life, no individual moment, stands outside fashion's discourses. Intuitively, we all know that clothing is a language, , On Fashion to the inventory that you are selling on WonderClubX
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Add On Fashion, Until recently, fashion was considered the F-word in intellectual circles, dismissed as unworthy of serious attention. Yet no area of life, no individual moment, stands outside fashion's discourses. Intuitively, we all know that clothing is a language, , On Fashion to your collection on WonderClub |