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Book Categories |
Introduction | ||
The Birth of a Nation: History, Ideology, Narrative Form | 3 | |
D.W. Griffith: A Biographical Sketch | 25 | |
The Birth of a Nation | ||
Credits and Cast | 39 | |
The Continuity Script | 43 | |
Contexts | ||
Brotherly Love | 161 | |
Capitalizing Race Hatred | 164 | |
Reply to the New York Globe | 166 | |
Reply to the New York Globe | 168 | |
Reviews | ||
Variety | 173 | |
The Moving Picture World | 176 | |
The Atlanta Journal | 179 | |
The Atlanta Constitution | 183 | |
Boston American | 186 | |
Commentaries | ||
The Birth of a Nation: Reconsidering Its Reception | 195 | |
The Birth of a Nation: History as Pretext | 214 | |
The Historical Novel Goes to Hollywood: Scott, Griffith, and Film Epic Today | 225 | |
"The Sword Became a Flashing Vision": D. W. Griffith's The Birth of a Nation | 250 | |
Filmography and Bibliography | ||
Griffith Filmography, 1908-1931 | 297 | |
Selected Bibliography | 305 |
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Add The Birth Of A Nation, The Birth of a Nation (1915) remains the most controversial American film ever made, and its director, D. W. Griffith, one of the most extraordinary figures in film history. It was the first true feature film and did more than any other to launch Hollywoo, The Birth Of A Nation to the inventory that you are selling on WonderClubX
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Add The Birth Of A Nation, The Birth of a Nation (1915) remains the most controversial American film ever made, and its director, D. W. Griffith, one of the most extraordinary figures in film history. It was the first true feature film and did more than any other to launch Hollywoo, The Birth Of A Nation to your collection on WonderClub |