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Acknowledgments | ||
About the Contributors | ||
Introduction | 1 | |
1 | The Meaning of Things: Audiences, Ambiguity, and Power | 19 |
2 | Is There Culture After Cultural Studies? | 33 |
3 | Women Like Us: Working-Class Women Respond to Television Representations of Abortion | 55 |
4 | Reach Out and Touch Someone: Viewers, Agency, and Audiences in the Televisual Experience | 81 |
5 | Between the Public and the Private: The Domestic Uses of Information and Communications Technologies | 101 |
6 | Testimonies and Artifacts: Elite Appropriations of African American Music in the Nineteenth Century | 125 |
7 | Intersections of Discourse: MTV, Sexual Politics, and Dreamworlds | 151 |
8 | Reconceptualizing Gender: New Sites for Feminist Audience Research | 169 |
9 | Textual Interpretation as Collective Action | 181 |
10 | Romance and the Work of Fantasy: Struggles over Feminine Sexuality and Subjectivity at Century's End | 213 |
11 | Democracy and the Constitution of Audiences: A Comparative Media Theory Perspective | 233 |
12 | Reflections upon the Encoding/Decoding Model | 253 |
About the Book and Editors | 275 |
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