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List of Illustrations | ix | |
Preface | xv | |
1. | The Icon in the Narrative | 1 |
2. | "Thou Shalt Paint the Likeness of Christ Himself": The Mosaic Prohibition as Provocation for Christian Images | 29 |
3. | Medieval Art as Argument | 53 |
4. | Configuring the Invisible by Copying the Holy Face | 64 |
5. | Gazing at the Future: The Parousia Miniature in Vatican Cod. gr. 699 | 88 |
6. | Real Absence: Early Medieval Art and the Metamorphosis of Vision | 104 |
7. | "Facies bibliothecae revelata": Carolingian Art as Spiritual Seeing | 149 |
8. | The Function of Vitrum Vestitum and the Use of Materia Saphirorum in Suger's St.-Denis | 190 |
Notes | 207 | |
Index | 259 | |
Acknowledgments | 267 |
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Add Spiritual Seeing: Picturing God's Invisibility in Medieval Art, If we cannot see God with our own eyes, for what purpose do we picture God in art? During the Middle Ages, the Second Commandment's warning against idolatry was largely set aside as the power of images became boldly and visibly evident. By the twelfth cen, Spiritual Seeing: Picturing God's Invisibility in Medieval Art to the inventory that you are selling on WonderClubX
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Add Spiritual Seeing: Picturing God's Invisibility in Medieval Art, If we cannot see God with our own eyes, for what purpose do we picture God in art? During the Middle Ages, the Second Commandment's warning against idolatry was largely set aside as the power of images became boldly and visibly evident. By the twelfth cen, Spiritual Seeing: Picturing God's Invisibility in Medieval Art to your collection on WonderClub |