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Acknowledgments | ||
Prologue: The Scholar's Body | ||
Pt. 1 | Embodied Practices | 1 |
Introduction: The Way of the Body | 3 | |
1 | The Sorcerer's Body | 4 |
2 | The Griot's Tongue | 24 |
Pt. 2 | Body and Memory | 45 |
Introduction: The Texture of Memory | 47 | |
3 | Embodying Colonial Memories | 48 |
4 | "Conscious" Ain't Consciousness: Entering the Museum of Sensory Absence | 74 |
Pt. 3 | Embodied Representations | 89 |
Introduction: Embodying the Grammar | 91 | |
5 | Spaces, Places, and Fields: The Politics of West African Trading in New York City's Informal Economy | 93 |
6 | Artaud, Rouch, and the Cinema of Cruelty | 119 |
Epilogue: Sensuous Ways of Knowing/Living | 135 | |
Notes | 139 | |
Works Cited | 149 | |
Films Cited | 161 | |
Index | 163 |
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Add Sensuous Scholarship, Among the Songhay of Mali and Niger, who consider the stomach the seat of personality, learning is understood not in terms of mental activity but in bodily terms. Songhay bards study history by eating the words of the ancestors, and sorcerers learn thei, Sensuous Scholarship to the inventory that you are selling on WonderClubX
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Add Sensuous Scholarship, Among the Songhay of Mali and Niger, who consider the stomach the seat of personality, learning is understood not in terms of mental activity but in bodily terms. Songhay bards study history by eating the words of the ancestors, and sorcerers learn thei, Sensuous Scholarship to your collection on WonderClub |