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Illustrations | ||
Acknowledgments | ||
Introduction | ||
1 | Playing and Masking: Observations on Masked Performance in Papua New Guinea and Beyond | 1 |
2 | Dealing with the Demonic: Strategies of Containment in Hindu Iconography and Performance | 35 |
3 | Playing with the Past: Visitation and Illusion in the Mask Theatre of Bali | 105 |
4 | Jelantik Goes to Blambangan: A Topeng Pajegan Performance | 157 |
5 | The Domains of Topeng | 171 |
6 | A Joker in the Deck: Hajari Bhand of Rajasthan | 207 |
7 | A Capacity for Wonder | 244 |
8 | Conclusion | 275 |
Appendix | A List of Basic Questions That Might Be Asked About Performances | 293 |
References | 301 | |
Index | 321 |
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Add Masked Performance : The Play of Self and Other in Ritual and Theater, While enriched by perspectives from such disparate disciplines as cultural history, literary theory, anthropology, psychology, ethnology, and neuroscience, John Emigh's writing is firmly based upon extensive field research and his own experience as a thea, Masked Performance : The Play of Self and Other in Ritual and Theater to the inventory that you are selling on WonderClubX
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Add Masked Performance : The Play of Self and Other in Ritual and Theater, While enriched by perspectives from such disparate disciplines as cultural history, literary theory, anthropology, psychology, ethnology, and neuroscience, John Emigh's writing is firmly based upon extensive field research and his own experience as a thea, Masked Performance : The Play of Self and Other in Ritual and Theater to your collection on WonderClub |