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List of Illustrations | ||
Publication Sources | ||
Acknowledgments | ||
Introduction: Idiosyncrasy: The Final Frontier | 1 | |
1 | The Opera Is Over: A Critique of Eighties Sensibility | 11 |
2 | The Appropriation of Marginal Art in the 1980s | 19 |
3 | The Magic Kingdom of the Museum | 28 |
4 | Sizing Art Up (and Down): The Issue of Quality | 39 |
5 | The Short, Happy Life of the Work of Art: From Artifact to Art to Arty Fact | 48 |
6 | The End of Creative Imagination | 54 |
7 | Marcel Duchamp, Imposter Artist | 64 |
8 | Act Out, Turn Off | 71 |
9 | The Horse in the Industrial Age: Deborah Butterfield's Sculptures | 79 |
10 | Improbable Portraits: Gerge Condo's Drolleries | 87 |
11 | Paradox Perfected: Agnes Denes's Pyramids | 109 |
12 | The Cunning of Unreason: Charles Hinman's Absurdist Constructions | 121 |
13 | Alfred Jensen: Systems Mystagogue | 141 |
14 | Wolfgang Laib's Mystical Revolution | 147 |
15 | Carlo Maria Mariani: The Reenactment of Beauty | 153 |
16 | Robert Mapplethorpe: Aestheticising the Perverse | 177 |
17 | Jackson Pollock: Late Works, 1952-1955 | 186 |
18 | Voluptuous Technology: Keith Sonnier's Painterly Sculpture | 204 |
19 | Jorge Tacla's Irreality | 229 |
20 | The Psychopolitical Automatism of Antoni Tapies | 240 |
21 | William Tucker: The Fated Return of the Body | 252 |
22 | Bill Viola: The Mystical Defense Against the Feeling of Being Mad | 258 |
23 | Cooling Excitement: Eros and Self in Paul Waldman's Art | 267 |
24 | The Great Divide | 279 |
25 | Art: Sublimated Expression or Transitional Experience? The Examples of Van Gogh and Mondrian | 286 |
26 | The Expessive Gaze | 300 |
27 | Philosophy and Art: Elective Affinities in an Arranged Marriage | 314 |
28 | In Search of the Visionary Image | 317 |
29 | Envy and Gratitude: The Ambivalence of Psychoanalysis to Art | 324 |
30 | The Avant-Garde Complex and the Postmodern Perplex | 334 |
31 | Mystic and Maid | 356 |
Index | 365 |
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Add Karel Appel Sculpture: A Catalogue Raisonne, Postmodernism has been described as a decadent and pluralistic period in which avant-garde art has been institutionalized, stereotyped, and effectively neutralized; and where models of art seem to stand in ironical, nihilistic relationship to each other. , Karel Appel Sculpture: A Catalogue Raisonne to the inventory that you are selling on WonderClubX
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Add Karel Appel Sculpture: A Catalogue Raisonne, Postmodernism has been described as a decadent and pluralistic period in which avant-garde art has been institutionalized, stereotyped, and effectively neutralized; and where models of art seem to stand in ironical, nihilistic relationship to each other. , Karel Appel Sculpture: A Catalogue Raisonne to your collection on WonderClub |