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Book Categories |
Preface | 7 | |
Introduction | 19 | |
Pt. 1 | Comparative Aesthetics and African Sculpture | 27 |
I | The "Pilot Look" | 27 |
Misreadings | 29 | |
Terms, Meanings, Concepts | 40 | |
II | The Naturalist Encumbrance | 105 |
Representation of Proportions and the Proportions of Representation | 109 | |
Representation of Space and the Space of Representation | 118 | |
The Representation of the Individual | 145 | |
Expression and the Representation of Expression | 156 | |
III | The Functionalist Approach | 188 |
Forms and Functions | 188 | |
Function and Representation | 194 | |
Presence and Power | 237 | |
Functionalism and Artistic Production | 248 | |
IV | The Pleasure of Seeing | 275 |
Orientation: The Ethnologist and the Aesthete | 275 | |
In Search of an African Aesthetics | 276 | |
Orientations in Comparative Aesthetics | 287 | |
Forms | 315 | |
Documents | 359 | |
Pt. 2 | African Art: The Golden Age | 360 |
The Western Sudan and the Coast of Guinea | 360 | |
Archeology and History in Nigeria | 396 | |
Central Sudan, the Cross River, the Gulf of Guinea, and the Grassland of Cameroon | 401 | |
Central Africa | 419 | |
Eastern and Southern Africa, Madagascar | 465 | |
An Initiatory Passage | 485 | |
The Principal Ethnic Groups | 497 | |
Map | 498-99 | |
Glossary | 596 | |
Bibliography | 598 | |
Index | 604 | |
Acknowledgements | 618 | |
Photograph Credits | 619 |
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