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Series Editors' Foreword Philip V. Bohlman Bohlman, Philip V. Martin Stokes Stokes, Martin
Introduction Henry Stobart Stobart, Henry 1
Pt. 1 Questions of Discipline
1 Perspectives on Ethnomusicology
A View from Musicology Jim Samson Samson, Jim 23
Why I'm Not an Ethnomusicologist: A View from Anthropology Michelle Bigenho Bigenho, Michelle 28
A View from Popular Music Studies: Genre Issues Fabian Holt Holt, Fabian 40
2 We Are All (Ethno)musicologists Now Nicholas Cook Cook, Nicholas 48
3 Exorcising the Ancestors?
Ethnomusicology, Alterity, and Disciplinary Identity; or "Do We Still Need an Ethno-?" "Do We Still Need an -ology?" Landan Nooshin Nooshin, Landan 71
Praisesong to the Ancestors and the Post-New Nuclear Family Caroline Bithell Bithell, Caroline 76
Beyond the Academy Tina K. Ramnarine Ramnarine, Tina K. 83
4 Other Ethnomusicologies, Another Musicology: The Serious Play of Disciplinary Alterity Philip V. Bohlman Bohlman, Philip V. 95
Pt. 2 A New Ethnomusicology?
5 Ethnomusicology, Intermusability, and Performance Practice John Baily Baily, John 117
6 Towardan Ethnomusicology of Sound Experience Martin Clayton Clayton, Martin 135
7 E-Fieldwork: A Paradigm for the Twenty-first Century? Abigail Wood Wood, Abigail 170
8 New Directions in Ethnomusicology: Seven Themes toward Disciplinary Renewal Jonathan P. J. Stock Stock, Jonathan P. J. 188
9 Afterword Martin Stokes Stokes, Martin 207
Index 221
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
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Jeremy Stembridge
reviewed New (Ethno)Musicologies on November 18, 2012
New (Ethno)Musicologies
A volume in the Global Music series. I didn't like this as well as some of the other volumes. Japanese music tradition is complex, derived from many foreign influences, as this book documents. Unfortunately, the book did not seem well organized, and moved back in forth in time, which is especially difficult for someone not familiar with the periods of Japanese history to keep track of. The CD was especially disappointing; because of economic and copyright issues, presumably, it was composed of short fragments, which made it difficult to really get into any of the styles presented. (It was also poorly bound; the cover fell off before I was finished reading it.)
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