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Acknowledgments | ||
Introduction: Expression and Refusal | 1 | |
1 | "Will in Overplus": A Graphic Look at Beckett's W/horoscopes | 28 |
2 | "Ways of Being We": The Subject as Method, Method as Ritual in Watt | 43 |
3 | "Distant Music": Origin, Voice, and Narrative in the Trilogy | 71 |
4 | "I Sum Up": Temporality, Subjectivity, and Cogitation in The Unnamable | 95 |
5 | Narcissistic Echoes: Joyce's Wake and the Texts for Nothing | 125 |
6 | "For Nothing to Be Changed": Fabling Arrival in the Late Prose | 157 |
Conclusion: Canceling Spaces | 181 | |
Notes | 187 | |
Bibliography | 209 | |
Index | 217 |
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Add Saying I No More: Subjectivity and Consciousness in the Prose of Samuel Beckett, In recent criticism, Samuel Beckett's prose has been increasingly described as a labor of refusal: not only of what traditionally has made possible narrative and the novel but also of the major conventional suppositions concerning the primacy of conscious, Saying I No More: Subjectivity and Consciousness in the Prose of Samuel Beckett to the inventory that you are selling on WonderClubX
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Add Saying I No More: Subjectivity and Consciousness in the Prose of Samuel Beckett, In recent criticism, Samuel Beckett's prose has been increasingly described as a labor of refusal: not only of what traditionally has made possible narrative and the novel but also of the major conventional suppositions concerning the primacy of conscious, Saying I No More: Subjectivity and Consciousness in the Prose of Samuel Beckett to your collection on WonderClub |