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Acknowledgments | ||
Introduction: The Culture of Classical Music Today | 1 | |
Pt. 1 | Composers | |
1 | Music and Mao | 29 |
2 | Why Kurt Weill? | 36 |
3 | American Music: The Years of Hope | 50 |
4 | Lenny on Our Minds | 64 |
5 | Hugo Weisgall's Six Characters | 77 |
6 | A New Look at Prokofiev | 84 |
Pt. 2 | Pianists | |
7 | Rubinstein the Great Entertainer | 99 |
8 | Bartok at the Piano | 112 |
9 | Keith Jarrett Joins the Bach Parade | 124 |
10 | The Pupils of Clara Schumann and the Uses of Tradition | 130 |
11 | Does the Piano Have a Future? | 141 |
Pt. 3 | Conductors | |
12 | Willem Mengelberg at the Philharmonic | 157 |
13 | Pierre Monteux's Success | 164 |
14 | Toscanini and the Love of Great Music | 174 |
15 | Roger Norrington and Authentic Performance | 187 |
Pt. 4 | Critics and Writers | |
16 | James William Davison of The (London) Times | 201 |
17 | James Huneker and America's Musical Coming-of-Age | 215 |
18 | Edward Said, Music Critic | 233 |
19 | But If the Artist Fail? | 243 |
Pt. 5 | Culture and Society | |
20 | Ivy Litvinov: The Commissar's Wife | 261 |
21 | The Muse under Mussolini | 279 |
22 | Say No to Trash: Mapplethorpe and the NEA | 289 |
23 | Opera and Politics | 292 |
24 | Backward and Downward with the Arts | 300 |
Notes | 310 |
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Add Music and More Essays, 1975-1991, No matter how great the worldly success it may enjoy, no matter how high the hype that can be purchased, no matter how large the paying audience can be made to seem, classical music today is in deep trouble. It is not clear whether we can do more than bea, Music and More Essays, 1975-1991 to the inventory that you are selling on WonderClubX
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Add Music and More Essays, 1975-1991, No matter how great the worldly success it may enjoy, no matter how high the hype that can be purchased, no matter how large the paying audience can be made to seem, classical music today is in deep trouble. It is not clear whether we can do more than bea, Music and More Essays, 1975-1991 to your collection on WonderClub |