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Introduction to 1998 edition | ||
Abbreviations | ||
I | The Setting of the Poetics | 1 |
II | Aristotle's Aesthetics 1: Art and its Pleasure | 42 |
III | Aristotle's Aesthetics 2: Craft, Nature and Unity in Art | 82 |
IV | Mimesis | 109 |
V | Action and Character | 138 |
VI | Tragedy and the Emotions | 168 |
VII | Fallibility & Misfortune: The Secularisation of the Tragic | 202 |
VIII | The Chorus of Tragedy | 238 |
IX | Epic, Comedy and Other Genres | 253 |
X | Influence & Status: the Nachleben of the Poetics | 286 |
App. 1 | The Date of the Poetics | 324 |
App. 2 | The Poetics and Plato | 331 |
App. 3 | Drama in the Theatre: Aristotle on Spectacle (opsis) | 337 |
App. 4 | Aristotle on Language (lexis) | 344 |
App. 5 | Interpretations of katharsis | 350 |
Bibliography | 357 | |
Index | 365 |
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Add Aristotles Poetics: Translation and Analysis, Introduced by Francis Fergusson, the Poetics, written in the fourth century B.C., is still an essential study of the art of drama, indeed the most fundamental one we have. It has been used by both playwrights and theorists of many periods, and inte, Aristotles Poetics: Translation and Analysis to the inventory that you are selling on WonderClubX
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Add Aristotles Poetics: Translation and Analysis, Introduced by Francis Fergusson, the Poetics, written in the fourth century B.C., is still an essential study of the art of drama, indeed the most fundamental one we have. It has been used by both playwrights and theorists of many periods, and inte, Aristotles Poetics: Translation and Analysis to your collection on WonderClub |