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Out in Public: Configurations of Women's Bodies in Nineteenth-Century America Book

Out in Public: Configurations of Women's Bodies in Nineteenth-Century America
Out in Public: Configurations of Women's Bodies in Nineteenth-Century America, Images of the corseted, domestic, white middle-class female and the black woman as slave mammy or jezebel loom large in studies of nineteenth-century womanhood, despite recent critical work exploring alternatives to those images. In <i>Out in Public,</i> , Out in Public: Configurations of Women's Bodies in Nineteenth-Century America has a rating of 5 stars
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Out in Public: Configurations of Women's Bodies in Nineteenth-Century America, Images of the corseted, domestic, white middle-class female and the black woman as slave mammy or jezebel loom large in studies of nineteenth-century womanhood, despite recent critical work exploring alternatives to those images. In Out in Public, , Out in Public: Configurations of Women's Bodies in Nineteenth-Century America
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  • Out in Public: Configurations of Women's Bodies in Nineteenth-Century America
  • Written by author Alison Piepmeier
  • Published by University of North Carolina Press, The, November 2004
  • Images of the corseted, domestic, white middle-class female and the black woman as slave mammy or jezebel loom large in studies of nineteenth-century womanhood, despite recent critical work exploring alternatives to those images. In Out in Public,
  • Piepmeier examines the lives and works of actress and playwright Anna Cora Mowatt, Christian Science founder Mary Baker Eddy, abolitionist and feminist orator Sojourner Truth, anti-lynching journalist Ida B. Wells, and Godey's Lady's Book editor Sarah Jos
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Introduction : bodies in public1
Ch. 1The most thrilling sensations : Anna Cora Mowatt and sensational womanhood20
Ch. 2Woman goes forth to battle with Goliath : Mary Baker Eddy, medical science, and sentimental invalidism60
Ch. 3As strong as any man : Sojourner Truth's tall-tale embodiment92
Ch. 4The supreme right of American citizenship : Ida B. Wells, the lynch narrative, and the production of the American body129
Ch. 5We have hardly had time to mend our pen : Sarah Hale, Godey's lady's book, and the body as print172
Epilogue : nineteenth-century women's writing and public embodiment : a prospectus209
Sojourner Truth's "ar'n't I a woman?" speech as recorded by Frances Gage215


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Out in Public: Configurations of Women's Bodies in Nineteenth-Century America, Images of the corseted, domestic, white middle-class female and the black woman as slave mammy or jezebel loom large in studies of nineteenth-century womanhood, despite recent critical work exploring alternatives to those images. In <i>Out in Public,</i> , Out in Public: Configurations of Women's Bodies in Nineteenth-Century America

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Out in Public: Configurations of Women's Bodies in Nineteenth-Century America, Images of the corseted, domestic, white middle-class female and the black woman as slave mammy or jezebel loom large in studies of nineteenth-century womanhood, despite recent critical work exploring alternatives to those images. In <i>Out in Public,</i> , Out in Public: Configurations of Women's Bodies in Nineteenth-Century America

Out in Public: Configurations of Women's Bodies in Nineteenth-Century America

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Out in Public: Configurations of Women's Bodies in Nineteenth-Century America, Images of the corseted, domestic, white middle-class female and the black woman as slave mammy or jezebel loom large in studies of nineteenth-century womanhood, despite recent critical work exploring alternatives to those images. In <i>Out in Public,</i> , Out in Public: Configurations of Women's Bodies in Nineteenth-Century America

Out in Public: Configurations of Women's Bodies in Nineteenth-Century America

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