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| Acknowledgments | ||
| Introduction | ||
| Moving Away From Good Mother/Bad Mother Stereotypes | 8 | |
| Jean Baker Miller, Toward a New Psychology of Women | ||
| Dorothy Dinnerstein, The Mermaid and the Minotaur | ||
| Adrienne Rich, Of Woman Born | ||
| Nancy Chodorow, The Reproduction of Mothering | ||
| Portraits of Mothers and Nurturers | 10 | |
| Kim Chernin, In My Mother's House | ||
| Vivian Gornick, Fierce Attachments | ||
| Gloria Steinem, "Ruth's Song" | ||
| Alice Walker, "Beauty: When the Other Dancer Is the Self"; In Search of Our Mothers' Gardens | ||
| Maxine Hong Kingston, The Woman Warrior | ||
| Maya Angelou, I Know Why the Caged Bird Sings | ||
| Mary McCarthy, Memories of a Catholic Girlhood | ||
| Lillian Hellman, An Unfinished Woman | ||
| May Sarton, I Knew a Phoenix | ||
| Myth-Making: Reconstructing the Past | 37 | |
| May Sarton, A World of Light | ||
| Lillian Hellman, Pentimento; Scoundrel Time | ||
| Patricia Hampl, A Romantic Education | ||
| Eudora Welty, One Writer's Beginnings | ||
| Silencing: Repression and Self-Censorship | 54 | |
| Tillie Olsen, Silences | ||
| Adrienne Rich, On Lies, Secrets and Silence | ||
| Sandra Gilbert and Susan Gubar, The Madwoman in the Attic | ||
| Anne Sexton, A Self-Portrait in Letters | ||
| Sylvia Plath The Journals; Letters Home | ||
| A Sense of Place: The Trigger of "Emotional Memory" | 68 | |
| Toni Morrison, "The Site of Memory" | ||
| Annie Dillard, An American Childhood | ||
| Kate Simon, Bronx Primitive: A Wider World | ||
| Mary Lee Settle, "London - 1944" | ||
| Joan Didion, "Salvador" | ||
| Maxine Kumin, To Make a Prairie; In Deep: Country Essays | ||
| Kathleen Norris, Dakota: A Spiritual Geography | ||
| Crossing the Racial Divide: African-American Autobiography | 87 | |
| Lorene Cary, Black Ice | ||
| Charlayne Hunter-Gault, In My Place | ||
| Gloria Wade-Gayles, Pushed Back to Strength | ||
| The Oral Tradition: Native American and Chicana Autobiography | 92 | |
| Leslie Marmon, Silko Storyteller | ||
| Gloria Anzaldua, Borderlands/La Frontera: The New Mestiza | ||
| Journals: The Pact Between Writer and Reader | 99 | |
| May Sarton, Journal of a Solitude; At Seventy | ||
| The Reader as Target: Closing the Distance | 110 | |
| Nancy Mairs, Plaintext: Remembering the Bone House | ||
| Audre Lorde, The Cancer Journals | ||
| Anne Truitt, Daybook: The Journal of an Artist | ||
| Flooding: The Power of Role Models | 119 | |
| Louise DeSalvo, "A Portrait of the Puttana as a Middle-Aged Woolf Scholar" | ||
| Leah Blatt Glasser, "'She Is the One You Call Sister' - Discovering Mary Wilkins Freeman" | ||
| Alice Walker, "Looking for Zora" | ||
| Interpreting: The Truth of Personal Experience | 128 | |
| Carolyn Heilbrun, Writing a Woman's Life | ||
| Mary Catherine Bateson, Composing a Life | ||
| Bettina Aptheker, Tapestries of Life | ||
| Braiding: The Personal and Cultural in One Voice | 136 | |
| Carole Ione, Pride of Family | ||
| Shirlee Taylor Haizlip, The Sweeter the Juice | ||
| Conclusion: "The Finger Pointing at the Moon Is Not the Moon" | ||
| Bibliography | ||
| Index | ||
| About the Author |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Michael Lopez
reviewed Crucial conversations on June 28, 2016
Crucial conversations
This was an easy and enjoyable read in the 'mind expansion' category. I had never heard of Char Margolis, but I have an interest in psychic/intuitive/manifestation practices, so I liked that this book was part memoir, part guide for accessing and using your intuition. I found her to be relatable and authentic. Recommended for those who are fans/followers or interested in the topic.
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