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Introduction: Questions and premises | 1 | |
Pt. I | What Makes an Anthology | |
1 | Anthologies as a kind | 13 |
2 | The disposition of the space | 39 |
3 | The anthologist in the poem | 69 |
Pt. II | What Makes an Anthology-Piece | |
4 | "Echoing song": Elizabethan and seventeenth-century poems | 101 |
5 | "A darkling plain": public poems of 1770, 1867, 1955 | 125 |
6 | "The poet of 'The Fish' ": the anthologizing of Elizabeth Bishop | 161 |
Pt. III | What Poets Make of Anthologies | |
7 | Poets as anthology readers | 193 |
8 | Poets as anthology makers | 220 |
Coda: T. S. Eliot's imaginary anthology | 245 | |
Notes | 259 | |
Index 1: Anthologies | 279 | |
Index 2: Authors | 284 |
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Add Tradition and the Individual Poem: An Inquiry into Anthologies, Anne Ferry. . . . won a prize for The Title to the Poem and deserves one for her new book, Tradition and the Individual Poem: An Inquiry into Anthologies.—Chronique It is. . . . literary criticism of a sensitive and sensible sort.—Chronique, Tradition and the Individual Poem: An Inquiry into Anthologies to the inventory that you are selling on WonderClubX
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Add Tradition and the Individual Poem: An Inquiry into Anthologies, Anne Ferry. . . . won a prize for The Title to the Poem and deserves one for her new book, Tradition and the Individual Poem: An Inquiry into Anthologies.—Chronique It is. . . . literary criticism of a sensitive and sensible sort.—Chronique, Tradition and the Individual Poem: An Inquiry into Anthologies to your collection on WonderClub |