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Inventing the Classics: Modernity, National Identity and Japanese Literature Book

Inventing the Classics: Modernity, National Identity and Japanese Literature
Inventing the Classics: Modernity, National Identity and Japanese Literature, Inventing the Classics fills a major gap in Japanese literary studies in its presentation of ten original, sophisticated, and cogently argued essays on the process of the construction of 'Japanese literature' as it is known today. The volume combines a r, Inventing the Classics: Modernity, National Identity and Japanese Literature has a rating of 4.5 stars
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Inventing the Classics: Modernity, National Identity and Japanese Literature, Inventing the Classics fills a major gap in Japanese literary studies in its presentation of ten original, sophisticated, and cogently argued essays on the process of the construction of 'Japanese literature' as it is known today. The volume combines a r, Inventing the Classics: Modernity, National Identity and Japanese Literature
4.5 out of 5 stars based on 2 reviews
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  • Inventing the Classics: Modernity, National Identity and Japanese Literature
  • Written by author Haruo Shirane
  • Published by Stanford University Press, January 2002
  • "Inventing the Classics fills a major gap in Japanese literary studies in its presentation of ten original, sophisticated, and cogently argued essays on the process of the construction of 'Japanese literature' as it is known today. The volume combines a r
  • Shirane and Suzuki examine how the Japanese canon of “classics” (The Tale of Genji, The Tale of the Heike, Noh drama, Saikaku, Chikamatsu, and Basho) was constructed as part of the creation of Japan as a modern nation-state and as
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"Inventing the Classics fills a major gap in Japanese literary studies in its presentation of ten original, sophisticated, and cogently argued essays on the process of the construction of 'Japanese literature' as it is known today. The volume combines a richly detailed historical approach to the study of canon formation with a nuanced theoretical discussion of the relevance of canon formation to the formation of a Japanese cultural and national identity. It also sheds important light on the changing socio-political function of specific works and genres."—Janet Walker, Rutgers University
"The collection presents a truly significant contribution to the study of Japanese literature. . . . All the essays are solidly researched and lucidly written, and the volume is certain to be widely used and cited."—Journal of Asian Studies


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Inventing the Classics: Modernity, National Identity and Japanese Literature, Inventing the Classics fills a major gap in Japanese literary studies in its presentation of ten original, sophisticated, and cogently argued essays on the process of the construction of 'Japanese literature' as it is known today. The volume combines a r, Inventing the Classics: Modernity, National Identity and Japanese Literature

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Inventing the Classics: Modernity, National Identity and Japanese Literature, Inventing the Classics fills a major gap in Japanese literary studies in its presentation of ten original, sophisticated, and cogently argued essays on the process of the construction of 'Japanese literature' as it is known today. The volume combines a r, Inventing the Classics: Modernity, National Identity and Japanese Literature

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Inventing the Classics: Modernity, National Identity and Japanese Literature, Inventing the Classics fills a major gap in Japanese literary studies in its presentation of ten original, sophisticated, and cogently argued essays on the process of the construction of 'Japanese literature' as it is known today. The volume combines a r, Inventing the Classics: Modernity, National Identity and Japanese Literature

Inventing the Classics: Modernity, National Identity and Japanese Literature

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