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Introduction: Family Productions | 1 | |
Pt. I | Familial Discourse, Print Culture, and the Social Body | |
1 | Constructing a Discourse | 23 |
2 | Museum of Social Horrors | 63 |
Pt. II | Lack of Family as Fictional Strategy in France | |
3 | Paul et Virginie: "Family" and the Politics of the Sentimental Body in Prerevolutionary France | 101 |
4 | Inside Out: Domesticating the Social in Eugene Sue's Les Mysteres de Paris | 137 |
5 | No Future: Disembodied Domesticity in Balzac's Les Paysans | 186 |
6 | Midwiving Subjectivities and Female Knowledges: Sand's La Petite Fadette | 213 |
7 | Perverse Commerce: Familial Pathology and National Decline in La Curee | 240 |
8 | Straight Is the Gait: Modernism as Celibate Writing in Gide's La Porte etroite | 278 |
Epilogue: A History of the Present | 303 | |
Notes | 319 | |
Works Cited | 335 | |
Index | 351 |
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Add Families in jeopardy, This interdisciplinary study shows how a new commercial and learned print culture attempted to write and regulate individual and collective practices in terms of a master idiom of family, sexuality, and gender upon which a post-revolutionary national comm, Families in jeopardy to the inventory that you are selling on WonderClubX
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Add Families in jeopardy, This interdisciplinary study shows how a new commercial and learned print culture attempted to write and regulate individual and collective practices in terms of a master idiom of family, sexuality, and gender upon which a post-revolutionary national comm, Families in jeopardy to your collection on WonderClub |