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Using an outmoded term in an entirely new way, Preromanticism seeks the common ground of British literature from 1740 to 1798 not in foreshadowings of Romanticism but in incomplete discoveries and in impediments to expression that Romanticism was to lift. Featuring readings of masterpieces in all genres that draw widely on recent innovations in literary theory, it highlights the variety of experimentation in a transitional epoch.
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