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Introduction | ||
Pt. 1 | Introduction to the Concepts | |
Luther on Music: A Theological Basis for German Baroque Music | 3 | |
Toward Musica Poetica: The Emergence of a German Baroque Music | 10 | |
The Concept of the Affections in German Baroque Music | 29 | |
Principles of Rhetoric in German Baroque Music | 57 | |
Pt. 2 | Treatises and Sources | |
Joachim Burmeister | 93 | |
Johannes Nucius | 99 | |
Joachim Thuringus | 103 | |
Athanasius Kircher | 106 | |
Elias Walther | 111 | |
Christoph Bernhard | 112 | |
Wolfgang Caspar Printz | 119 | |
Johann Georg Ahle | 122 | |
Tomas Baltazar Janovka | 125 | |
Mauritius Johann Vogt | 127 | |
Johann Gottfried Walther | 131 | |
Johann Mattheson | 136 | |
Meinrad Spiess | 144 | |
Johann Adolf Scheibe | 148 | |
Johann Nikolaus Forkel | 156 | |
Pt. 3 | Definitions and Translations of the Musical-Rhetorical Figures | |
Definitions and Translations | 167 | |
App. 1 | Summary of Figure Definitions | 439 |
App. 2 | Summary of Figures by Category | 444 |
App. 3 | List of Figures by Author | 448 |
App. 4 | Summary of Figures by Author | 453 |
Bibliography | 458 | |
Index | 466 |
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