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Acknowledgements | ||
Introduction | ||
1 | Points of Departure: Deconstruction and John Ashbery's 'Sortes Vergilianae' | 5 |
2 | 'Sortes Vergilianae' | 19 |
3 | Charles Bernstein's 'The Simply' | 34 |
4 | Toward Gay Reading: Robert Gluck's 'Reader' | 40 |
5 | Tony Harrison's Languages | 53 |
6 | Ana-; or Postmodernism, Landscape, Seamus Heaney | 68 |
7 | On Ice: Julia Kristeva, Susan Howe and avant garde poetics | 81 |
8 | Poetry and Motion: Madonna and Public Enemy | 96 |
9 | Signs are Taken for Wonders: On Steve McCaffery's 'Lag' | 108 |
10 | Difference Spreading: From Gertrude Stein to L=A=N=G=U=A=G=E poetry | 116 |
11 | Pat Parker: Feminism in postmodernity | 128 |
12 | Nothing but Mortality: Prynne and Celan | 139 |
13 | Postmodern Postpoetry: Tom Raworth's tottering state | 153 |
14 | 'In the Wake of Home': Adrienne Rich's politics and poetics of location | 166 |
15 | Adrienne Rich: Consciousness raising as poetic method | 177 |
16 | '. . . if it's a statistic, it's not a woman': a look at 'serious lessons learned' by Ntozake Shange | 195 |
Afterword | 208 | |
Notes on Contributors | 211 |
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