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Book Categories |
Preface | ||
Acknowledgments | ||
The Laughter of the Suitors: A Case of Collective Madness in the Odyssey | 1 | |
The Poem of the Simonides Elegy on the Battle of Plataea (Sim. Frs. 10-18 W[superscript 2]) and the Circumstances of Its Performance | 8 | |
The Seal of Theognis | 29 | |
Prose Genres for the Performance of Traditional Wisdom in Ancient Greece: Proverb, Maxim, Apothegm | 49 | |
Chorus and Community in Euripides' Bacchae | 65 | |
The Ion of Euripides and Its Audience(s) | 87 | |
Poet, Public, and "Theatrocracy": Audience Performance in Classical Athens | 97 | |
All the (Greek) World's a Stage: Notes on (Not Just Dramatic) Greek Staging | 112 | |
Remarks at the American Academy in Rome, February 12, 1994 | 124 | |
Notes | 129 | |
Contributors | 169 |
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Add Poet, Public, and Performance in Ancient Greece, Poetry in archaic and classical Greece was a practical art that arose from specific social or political circumstances. The interpretation of a poem or dramatic work must therefore be viewed in the context of its performance. In Poetry, Public, and Perf, Poet, Public, and Performance in Ancient Greece to the inventory that you are selling on WonderClubX
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Add Poet, Public, and Performance in Ancient Greece, Poetry in archaic and classical Greece was a practical art that arose from specific social or political circumstances. The interpretation of a poem or dramatic work must therefore be viewed in the context of its performance. In Poetry, Public, and Perf, Poet, Public, and Performance in Ancient Greece to your collection on WonderClub |