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Acknowledgments | ||
Introduction: The Wound and the Voice | 1 | |
1 | Unclaimed Experience: Trauma and the Possibility of History (Freud, Moses and Monotheism) | 10 |
2 | Literature and the Enactment of Memory (Duras, Resnais, Hiroshima mon amour) | 25 |
3 | Traumatic Departures: Survival and History in Freud (Beyond the Pleasure Principle, Moses and Monotheism) | 57 |
4 | The Falling Body and the Impact of Reference (de Man, Kant, Kleist) | 73 |
5 | Traumatic Awakenings (Freud, Lacan, and the Ethics of Memory) | 91 |
Notes | 113 | |
Index | 147 |
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Add Unclaimed Experience: Trauma, Narrative, and History, If Freud turns to literature to describe traumatic experience, it is because literature, like psychoanalysis, is interested in the complex relation between knowing and not knowing, and it is at this specific point at which knowing and not knowing interse, Unclaimed Experience: Trauma, Narrative, and History to the inventory that you are selling on WonderClubX
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Add Unclaimed Experience: Trauma, Narrative, and History, If Freud turns to literature to describe traumatic experience, it is because literature, like psychoanalysis, is interested in the complex relation between knowing and not knowing, and it is at this specific point at which knowing and not knowing interse, Unclaimed Experience: Trauma, Narrative, and History to your collection on WonderClub |