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Foreword | ||
Introduction : enunciative games and masks of poetic authority | 1 | |
Pt. 1 | Poems as performative discourses in action | 17 |
I | Relationships with the gods and poetic functions in the Homeric Hymns | 19 |
II | Prelude to a poetry of action : the proem of Hesiod's Works and Days | 36 |
III | Fiction as narrative argumentation : Sappho and Helen | 55 |
IV | Legendary narration and poetic procedure in Callimachus' Hymn to Apollo | 70 |
Pt. 2 | Gazes of authority | 89 |
V | Learning to drink, learning to sing : poetic and iconic speech in the symposium | 91 |
VI | Vision, blindness, and mask : enunciation and emotion in Sophocles' Oedipus Tyrannus | 104 |
VII | Unmasked by the mask : enunciative and pragmatic effects in Aristophanes | 119 |
Pt. 3 | Greek poetic authorities | 133 |
VIII | Uttering human nature by constructing the inhabited world : the well-tempered racism of Hippocrates | 135 |
IX | Orphic voices and initiatory functions : the Derveni theogony and its commentary | 157 |
X | A civilization of poets : liminal spaces and discursive voices in Theocritus' Idyll I | 170 |
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Add Masks of Authority: Fiction and Pragmatics in Ancient Greek Poetics, Exploring a variety of literary texts representing different poetic genres, Claude Calame, an internationally known classicist, draws the lineaments of a real history of the means used by ancient Greek poets to create in their works a fictional authorship, Masks of Authority: Fiction and Pragmatics in Ancient Greek Poetics to the inventory that you are selling on WonderClubX
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Add Masks of Authority: Fiction and Pragmatics in Ancient Greek Poetics, Exploring a variety of literary texts representing different poetic genres, Claude Calame, an internationally known classicist, draws the lineaments of a real history of the means used by ancient Greek poets to create in their works a fictional authorship, Masks of Authority: Fiction and Pragmatics in Ancient Greek Poetics to your collection on WonderClub |