Re-Viewing British Cinema, 1900-1992: Essays and Interviews Book

	Acknowledgments
Ch. 1	Introduction: Re-Viewing the British Cinema	1
Ch. 2	Frederic Villiers: War Correspondent	11
Ch. 3	British Filmmaking in the 1930s and 1940s: The Example of Brian Desmond Hurst	25
Ch. 4	The Doubled Image: Montgomery Tully's Boys in Brown and the Independent Frame Process	41
Ch. 5	Lance Comfort, Lawrence Huntington, and the British Program Feature Film	53
Ch. 6	Re-Constructing the Nation: This Happy Breed, 1944	67
Ch. 7	The Demi-Paradise and Images of Class in British Wartime Films	83
Ch. 8	The Repressed Fantastic in Passport to Pimlico	95
Ch. 9	Revision to Reproduction: Myth and Its Author in The Red Shoes	107
Ch. 10	The Tension of Genre: Wendy Toye and Muriel Box	121
Ch. 11	An Interview with Wendy Toye	133
Ch. 12	The Last Gasp of the Middle Class: British War Films of the 1950s	143
Ch. 13	Evidence for a British Film Noir Cycle	155
Ch. 14	The Tradition of Independence: An Interview with Lindsay Anderson	165
Ch. 15	The Sight of Difference	177
Ch. 16	Twilight of the Monsters: The English Horror Film 1968-1975	195
Ch. 17	Re-Viewing the Losey-Pinter Go-Between	211
Ch. 18	Keeping His Own Voice: An Interview with Stephen Frears	221
Ch. 19	The Politics of Irony: The Frears-Kureishi Films	241
Ch. 20	The Long Day Closes: An Interview with Terence Davies	249
	Notes on Contributors	261
	Bibliography	263
	Index	275