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Book Categories |
1 | Historical foundations | 11 |
Essay : "Joffrey jazz" | 17 | |
2 | Arlene Croce's professional heritage | 24 |
Essay : "Momentous" | 34 | |
3 | The New Yorker | 40 |
Essay : "What you see is what you get" | 47 | |
4 | The ethics of dance criticism | 52 |
Essay : "The mercists" | 62 | |
5 | Theoretical models from literary analysis | 67 |
Essay : "Think punk" | 88 | |
6 | Croce's use of rhetorical devices | 94 |
Essay : "So rare" | 100 | |
7 | Croce-as-audience and Croce-as-critic | 105 |
Essay : "Paging Mr. Astaire" | 117 | |
8 | Arlene Croce's aesthetic framework | 124 |
Essay : "Mark Morris comes to town" | 144 | |
9 | The visceral vitality of dance | 148 |
Essay : "Modern love" | 162 | |
10 | Summary and conclusions | 166 |
Essay : "Institutions" | 170 | |
App | Topics in Croce's essays (in order of frequency) | 177 |
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Add The Dance Criticism of Arlene Croce : Articulating a Vision of Artistry, 1973-1987, Prominent dance critic Arlene Croce wrote for The New Yorker during the 1970s, '80s and '90s. Through more than 200 critiques in that magazine, she confirmed a classical aesthetic framework for dance, influencing the work of numerous contemporary critics , The Dance Criticism of Arlene Croce : Articulating a Vision of Artistry, 1973-1987 to the inventory that you are selling on WonderClubX
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Add The Dance Criticism of Arlene Croce : Articulating a Vision of Artistry, 1973-1987, Prominent dance critic Arlene Croce wrote for The New Yorker during the 1970s, '80s and '90s. Through more than 200 critiques in that magazine, she confirmed a classical aesthetic framework for dance, influencing the work of numerous contemporary critics , The Dance Criticism of Arlene Croce : Articulating a Vision of Artistry, 1973-1987 to your collection on WonderClub |