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| Acknowledgments | ||
| Introduction | 1 | |
| Sect. I | Content and Dissent | 7 |
| 1 | Participation Art: A Discussion About Content (1980) | 9 |
| 2 | Allan Kaprow's Happenings and Activities and the Actions of Joseph Beuys (1987) | 21 |
| 3 | The Conceptual Imagery of Komar and Melamid (1980) | 31 |
| 4 | Anselm Kiefer (1988-92) | 39 |
| Sect. II | Technology and Media | 43 |
| 5 | Techno-Products and the Beauty of the Absurd (1989) | 45 |
| 6 | Gyorgy Kepes: Blue Sky on the Red Line (1986) | 57 |
| 7 | On the Process of Viewing Discrete Things Discreetly (1987) | 60 |
| 8 | Un Chien Delicieux by Ken Feingold (1990) | 66 |
| Sect. III | Culture and Space | 69 |
| 9 | Space Shifts: The Art of Jan Zakrzewski (1991-1994) | 71 |
| 10 | Tania Mouraud and the Paradox of Language (1990) | 91 |
| 11 | The Landscape in Recent American Art (1989-1990) | 105 |
| Sect. IV | Modernism and Conceptual Art | 111 |
| 12 | Robert Motherwell (1980) | 113 |
| 13 | The Italian Sojourn of Joel Janowitz (1987) | 118 |
| 14 | Collage Environments: Rauschenberg Photographs (1982) | 124 |
| 15 | Sol LeWitt's Geometric Figures and Color: The Politics of a Portable Art (1980) | 128 |
| 16 | "Painting Advance/Stamm 1990" (1989) | 131 |
| 17 | John L. Moore (1992) | 136 |
| 18 | Catherine Lee: Thirds (1981) | 139 |
| Sect. V | Performance and Intermedia | 141 |
| 19 | Blue Man Group: Tubes (1991) | 143 |
| 20 | Mimi Garrard Dance Company: Walking on Gravel (1990) | 145 |
| 21 | Todd Alcott: The Users Waltz (1990) | 147 |
| 22 | James Tenney (1991) | 149 |
| 23 | Daniel McIntosh: Mindset (1987) | 151 |
| 24 | MOCA: Mecca for the Latest Art (1986) | 153 |
| 25 | Three Works by Anastasi (1992) | 156 |
| 26 | Allan McCollum's Perfect Vehicles (1988) | 160 |
| Notes | 163 | |
| Index | 169 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Jenna Haze
reviewed Between Modernism and Conceptual Art : A Critical Response on March 06, 2020 Between Modernism and Conceptual Art : A Critical Response
My mother wrote this book. It took ten years of research, during which time her co- author and best friend commit suicide. She plugged along starting at a leather topped antique partners desk in her Los Angeles bedroom until she finished in her basement bedroom at my house in Daly City,CA She fell in love with many of the dieties she wrote about and was very sad yet elated to finish writing it.
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Add Between Modernism and Conceptual Art : A Critical Response, This work provides an alternative viewpoint to the general American cultural discourse of the 1980s, showing that the real situation was not the exclusionary rhetoric of Postmodernism but was instead the conflict between late Modernism and Conceptual Art., Between Modernism and Conceptual Art : A Critical Response to the inventory that you are selling on WonderClubX
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