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| Acknowledgments | ||
| Introduction: Why Study Woody Allen? | 1 | |
| 1 | "A Thin Story to Hang the Comedy Sequences On": The Early Comedies | 11 |
| What's New, Pussycat? (1965) | 11 | |
| What's Up, Tiger Lily? (1966) | 18 | |
| Don't Drink the Water (1969) | 20 | |
| Take the Money and Run (1969) | 20 | |
| Bananas (1971) | 23 | |
| Play It Again, Sam (1972) | 25 | |
| Everything You Always Wanted to Know About Sex* (*but were afraid to ask) (1972) | 36 | |
| Sleeper (1973) | 43 | |
| Love and Death (1975) | 46 | |
| The Front (1976) | 47 | |
| 2 | A Therapeutic Autobiography: Annie Hall (1977) | 49 |
| 3 | "Everybody Understood What Was Important": Interiors (1978) | 75 |
| 4 | Themes of Redemption: Manhattan (1979) | 86 |
| 5 | Magic, Fantasy, and Inauthenticity: Stardust Memories (1980) | 112 |
| 6 | The Dangers of Hedonism: A Midsummer Night's Sex Comedy (1982) | 130 |
| 7 | Sickness and Salvation: Zelig (1983) | 143 |
| 8 | The Importance of Memory: Broadway Danny Rose (1984) | 161 |
| 9 | Betrayal and Despair: The Purple Rose of Cairo (1985) | 173 |
| 10 | "We All Had a Terrific Time": Hannah and Her Sisters (1986) | 187 |
| 11 | "Beware Evildoers Wherever You Are": Radio Days (1987) | 214 |
| 12 | "Haphazard and Unimaginably Violent": September (1987) | 225 |
| 13 | "Just Allow Yourself to Feel": Another Woman (1988) | 235 |
| 14 | Tradition: New York Stories, "Oedipus Wrecks" (1989) | 249 |
| 15 | "If Necessary, I Will Always Choose God Over Truth!": Crimes and Misdemeanors (1989) | 255 |
| 16 | Through The Looking Glass: Alice (1990) | 290 |
| 17 | "It's True, Everyone Loves His Illusions!": Shadows and Fog (1991) | 298 |
| 18 | Love's Labor's Lost: Husbands and Wives (1992) | 309 |
| 19 | Hitchcockian Influences: Manhattan Murder Mystery (1993) | 336 |
| 20 | "Don't Speak!": Bullets Over Broadway (1994) | 347 |
| 21 | "When You're Smiling": Mighty Aphrodite (1995) | 357 |
| 22 | Conclusion: The Dialectic of Hope and Despair | 363 |
| Appendix | Questions and Answers with Woody Allen | 373 |
| Filmography | 377 | |
| Bibliography | 389 | |
| Index | 393 |
| Price | Condition | Delivery | Seller | Action |
| $225.00 | Digital |
| WonderClub |
Douglas Curtis
reviewed Woody Allen's Angst: Philosophical Commentaries on His Serious Films on February 26, 2011 Woody Allen's Angst: Philosophical Commentaries on His Serious Films
I liked this biography of Theda Bara better than the more popular Golden biography. I feel that Genini doesn't have an agenda and just sticks to the facts of her life, using a lot of primary sources (though not all necessarily reliable).
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Add Woody Allen's Angst: Philosophical Commentaries on His Serious Films, Such Allen works as Annie Hall (1977), Broadway Danny Rose (1984), Crimes and Misdemeanors (1989) and Mighty Aphrodite (1995) are analyzed for the common philosophical themes they share. Gender issues, Allen's love-hate relationship with God, narcissism a, Woody Allen's Angst: Philosophical Commentaries on His Serious Films to the inventory that you are selling on WonderClubX
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Add Woody Allen's Angst: Philosophical Commentaries on His Serious Films, Such Allen works as Annie Hall (1977), Broadway Danny Rose (1984), Crimes and Misdemeanors (1989) and Mighty Aphrodite (1995) are analyzed for the common philosophical themes they share. Gender issues, Allen's love-hate relationship with God, narcissism a, Woody Allen's Angst: Philosophical Commentaries on His Serious Films to your collection on WonderClub |