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Acknowledgments | ||
Introduction: Rhetorical Structure and Critical Re-construction | 3 | |
1 | Decorum, Sequence, and Proof: The Problematics of Analogy | 17 |
2 | Redcrosse as Courtier; Narrative as Argument | 34 |
3 | Britomart Ascendent and Venus Transcendent | 53 |
4 | Proof by Digressio: A Rhetoric of Marriage | 73 |
5 | Ovid's Cone and the Rhetoric of Law | 93 |
6 | Radigund, Britomart, and the Rhetoric of Psychomachia | 114 |
7 | Artegall, Mercilla, and Calidore: The Ethos of Fortune | 135 |
8 | Mount Acidale, Arlo Hill, and the Ethos of Pastoral | 161 |
9 | Envoy and Peroratio: Spenser on Arlo Hill | 184 |
Appendix | Schematic of Classical Rhetoric and Glossary of Terms | 205 |
Notes | 211 | |
Bibliography | 233 | |
Index | 241 |
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Add The polliticke courtier, Although pervasive in Spenser's art, the role of rhetoric has not been adequately addressed by critics. This disregard of the importance of rhetoric in The Faerie Queene, Dixon argues, obscures Spenser's larger rhetorical method and the structural dynamic, The polliticke courtier to the inventory that you are selling on WonderClubX
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Add The polliticke courtier, Although pervasive in Spenser's art, the role of rhetoric has not been adequately addressed by critics. This disregard of the importance of rhetoric in The Faerie Queene, Dixon argues, obscures Spenser's larger rhetorical method and the structural dynamic, The polliticke courtier to your collection on WonderClub |