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| Preface | ||
| Illustrations | ||
| Prologue | 3 | |
| 1 | Who Was That Masked Man? | 16 |
| 2 | Improvisation and Dissonance: Commedia dell'Arte and the Crisis in Theatre | 44 |
| 3 | Pierrot Comes to Petersburg: 1903-17 | 75 |
| 4 | Red Harlequins: The Balagan as a Theatrical Genre | 103 |
| 5 | Pierrot or Petrushka? Russian Hariequinades | 125 |
| 6 | Russian Pirandellos: The Balagan as a Dramatic Genre | 159 |
| 7 | Harlequin's Shadow: The Film as Balagan | 205 |
| 8 | The Empty Throne: Theatre as Metahistory | 229 |
| Appendix A: The Beggar Harlequin, Elena Guro | 239 | |
| Appendix B: Today's Columbine, Nikolai Evreinov | 245 | |
| Appendix C: Fiametta's Four Corpses | 250 | |
| Appendix D: The Lovers, Vsevolod Meyerhold | 254 | |
| Appendix E: Harlequin the Card-Lover, Vladimir Solovev | 257 | |
| Appendix F: The Apes Are Coming! Lev Lunts | 272 | |
| Notes | 297 | |
| Bibliography | 335 | |
| Index | 349 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Mylin Lerstnom
reviewed Pierrot in Petrograd on February 27, 2017
Pierrot in Petrograd
Was the Bard Catholic? Is the Pope Polish - (or Argentinian as the case may be)? Not a bad book …
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Add Pierrot in Petrograd, Douglas Clayton examines the tradition of commedia dell'arte as the Russian modernists inherited it, from its origins in Italian street theatre through its various transformations: in Italy (Gozzi and Goldini's plays); in France (the development of Pierro, Pierrot in Petrograd to the inventory that you are selling on WonderClubX
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Add Pierrot in Petrograd, Douglas Clayton examines the tradition of commedia dell'arte as the Russian modernists inherited it, from its origins in Italian street theatre through its various transformations: in Italy (Gozzi and Goldini's plays); in France (the development of Pierro, Pierrot in Petrograd to your collection on WonderClub |
