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List of Illustrations | ||
Acknowledgements | ||
Foreword | ||
Introduction | 1 | |
Ch. 1 | The Art of Manora - An Ancient Tale of Feminine Power Preserved in South-East Asian Theatre | 9 |
Ch. 2 | The Birdwoman and the Puppet King - A Study of Inversion In Chinese Theatre | 43 |
Ch. 3 | Puppet Dominance in Chinese Thought and the Art of T'ai Chi Ch'uan | 63 |
Ch. 4 | In Search of Lady Joruri | 85 |
Ch. 5 | The Image of the String Puppet, its Indian Origin and Relevance to Zen Buddhism, Noh Drama and Chinese Theatre | 161 |
Ch. 6 | Western Attitudes to Puppets - Their Allies and Adversaries | 207 |
Postscript | 233 | |
Bibliography | 237 | |
Index | 245 |
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Add Mediums, Puppets, and the Human Actor in the Theatres of the East, Plowright (Oriental drama, London U.) travelled to Quanzhou in the Fujian Province of China in 1994 to research the connection between the movements of human actors and string puppets. She became entranced with carvings of 24 birdwomen in the local Grand , Mediums, Puppets, and the Human Actor in the Theatres of the East to the inventory that you are selling on WonderClubX
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Add Mediums, Puppets, and the Human Actor in the Theatres of the East, Plowright (Oriental drama, London U.) travelled to Quanzhou in the Fujian Province of China in 1994 to research the connection between the movements of human actors and string puppets. She became entranced with carvings of 24 birdwomen in the local Grand , Mediums, Puppets, and the Human Actor in the Theatres of the East to your collection on WonderClub |