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The rise of new science epistemological, linguistic, and ethical ideals and the lyric genre in the eighteenth century Book

The rise of new science epistemological, linguistic, and ethical ideals and the lyric genre in the eighteenth century
The rise of new science epistemological, linguistic, and ethical ideals and the lyric genre in the eighteenth century, Bergstrom (Salford U.) challenges the conventional view that the 18th century took no notice of lyric poetry after Thomas Sprat declared metaphor incapable of communicating any kind of truth. Taking evidence from critics, commentators, poets, and journali, The rise of new science epistemological, linguistic, and ethical ideals and the lyric genre in the eighteenth century has a rating of 3 stars
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The rise of new science epistemological, linguistic, and ethical ideals and the lyric genre in the eighteenth century, Bergstrom (Salford U.) challenges the conventional view that the 18th century took no notice of lyric poetry after Thomas Sprat declared metaphor incapable of communicating any kind of truth. Taking evidence from critics, commentators, poets, and journali, The rise of new science epistemological, linguistic, and ethical ideals and the lyric genre in the eighteenth century
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  • The rise of new science epistemological, linguistic, and ethical ideals and the lyric genre in the eighteenth century
  • Written by author Carson R. Bergstrom
  • Published by Lewiston, N.Y. : Edwin Mellen Press, c2002., 1/1/2002
  • Bergstrom (Salford U.) challenges the conventional view that the 18th century took no notice of lyric poetry after Thomas Sprat declared metaphor incapable of communicating any kind of truth. Taking evidence from critics, commentators, poets, and journali
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Book Categories

Authors

Acknowledgements
Foreword
Ch. 1 Introduction 1
Ch. 2 Experimental Science, Authority, Language 27
Ch. 3 Science and Lyric in the Seventeenth Century 99
Ch. 4 The New Science and the Criticism of Poetry 137
Ch. 5 Eighteenth-Century Lyric 185
Ch. 6 Concluding Remarks 247
Notes 261
Bibliography 297
Index 323


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The rise of new science epistemological, linguistic, and ethical ideals and the lyric genre in the eighteenth century, Bergstrom (Salford U.) challenges the conventional view that the 18th century took no notice of lyric poetry after Thomas Sprat declared metaphor incapable of communicating any kind of truth. Taking evidence from critics, commentators, poets, and journali, The rise of new science epistemological, linguistic, and ethical ideals and the lyric genre in the eighteenth century

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The rise of new science epistemological, linguistic, and ethical ideals and the lyric genre in the eighteenth century, Bergstrom (Salford U.) challenges the conventional view that the 18th century took no notice of lyric poetry after Thomas Sprat declared metaphor incapable of communicating any kind of truth. Taking evidence from critics, commentators, poets, and journali, The rise of new science epistemological, linguistic, and ethical ideals and the lyric genre in the eighteenth century

The rise of new science epistemological, linguistic, and ethical ideals and the lyric genre in the eighteenth century

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The rise of new science epistemological, linguistic, and ethical ideals and the lyric genre in the eighteenth century, Bergstrom (Salford U.) challenges the conventional view that the 18th century took no notice of lyric poetry after Thomas Sprat declared metaphor incapable of communicating any kind of truth. Taking evidence from critics, commentators, poets, and journali, The rise of new science epistemological, linguistic, and ethical ideals and the lyric genre in the eighteenth century

The rise of new science epistemological, linguistic, and ethical ideals and the lyric genre in the eighteenth century

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