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Shades of Milk and Honey is exactly what we could expect from Jane Austen if she had been a fantasy writer: Pride and Prejudice meets Jonathan Strange & Mr. Norrell. It is an intimate portrait of a woman, Jane, and her quest for love in a world where the manipulation of glamour is considered an essential skill for a lady of quality.
In Kowal's quasi-Regency fantasy debut, plain Miss Jane Ellsworth envies her sister's looks, while flighty Melody envies Jane's talent with magical glamour. Rude, mysterious Mr. Vincent, a brilliant glamour artist hired to create living murals in a nearby mansion, shows little interest in the niceties of society, and none (it seems) in Jane. As Jane shyly seeks Mr. Vincent's tutelage and approval, Melody pursues a disastrous romance. A sprinkling of Jane Austen's idiosyncratic spellings (shew, teaze, etc.) doesn't hide the lack of her trenchant wit or distinctive characters, and period errors abound. Despite the tremendous potential in the magical manipulation of light and temperature, glamour is used solely for decoration and entertainment, with implausibly little effect on history or culture. The story plods at a wooden pace until the climax, which achieves a sprightly comedy-of-errors froth. (Aug.)
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