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| Ch. 1 | Archaeology after nationalism : globalization and the consumption of the past | 3 |
| Ch. 2 | International conventions and cultural heritage protection | 27 |
| Ch. 3 | The politics of playing fair, or, who's losing their marbles? | 41 |
| Ch. 4 | From Lord Elgin to James Henry Breasted : the politics of the past in the first era of globalization | 57 |
| Ch. 5 | Conflating past and present : marketing archaeological heritage sites in Ireland | 69 |
| Ch. 6 | Mementos of the past : material culture of tourism at Stonehenge and Avebury | 93 |
| Ch. 7 | Where are the Maya in ancient Maya archaeological tourism? : advertising and the appropriation of culture | 103 |
| Ch. 8 | Archaeological research and cultural heritage management in Cambodia's Mekong Delta : the search for the "cradle of Khmer civilization" | 117 |
| Ch. 9 | Recovering the German nation : heritage restoration and the search for unity | 143 |
| Ch. 10 | Deep dirt : messing up the past at Colonial Williamsburg | 167 |
| Ch. 11 | Targeting heritage : the abuse of symbolic sites in modern conflicts | 183 |
| Ch. 12 | Tourism, the ideology of design, and the nationalized past in Zippori/Sepphoris, an Israeli national park | 205 |
| Ch. 13 | The roads to ruins : accessing Islamic heritage in Jordan | 229 |
| Ch. 14 | Repackaging the pilgrimage : visiting the Holy Land in Orlando | 249 |
| Ch. 15 | Is the medium the message? : the art of interpreting archaeology in U.S. national parks | 269 |
| Ch. 16 | Engaging with heritage issues : the role of the World Archaeological Congress | 287 |
| Ch. 17 | Making the past profitable in an age of globalization and national ownership : contradictions and considerations | 295 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Edwin Judd
reviewed Marketing Heritage: Archaeology and the Consumption of the Past on January 26, 2014 Marketing Heritage: Archaeology and the Consumption of the Past
This "historic compendium" is moderately interesting in terms of its history and its content about art. Still, I'd probably recommend something else for either distinct purpose. More recent art history texts are surely more up to date and omit little of that which was observed in 1899. The illustrations do provide a solid cross-section of the forms and styles from past periods.
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