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List of illustrations
List of tables
Notes on contributors
Introduction, Miguel Mera and David Burnand
Per aspera ad astra and back again: film music in Germany from 1927 to 1945, Reimar Volker
Music, people and reality: the case of Italian neo-realism, Richard Dyer
Contemporary Spanish film music: Carlos Saura and Pedro Almodóvar, Kathleen M. Vernon and Cliff Eisen
Music as a satirical device in the Ealing Comedies, Kate Daubney
Screen playing: cinematic representations of classical music performance and European identity, Janet K. Halfyard
Outing the synch: music and space in the French heritage film, Phil Powrie
Seán Ó Riada and Irish post-colonial film music: George Morrison's Mise Éire, David Cooper
Angel of the air: Popol Vuh's music and Werner Herzog's films, Kevin J. Donnelly
Modernity and a day: the functions of music in Angelopoulos' films, Miguel Mera
Preisner-Kieslowski: the art of synergetic understatement Three Colours: Red, Jon Paxman
'The Rhythm of the Night': reframing silence, music and masculinity in Beau Travail, Heather Laing
Scoring This Filthy Earth, David Burnand
Bibliography
Index.
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Add European film music, The vast majority of writing on film music is concentrated on Hollywood in particular and on a canon of North American scores and films more generally. Recent scholarship acknowledges other traditions of film scoring but little has been written about Euro, European film music to the inventory that you are selling on WonderClubX
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Add European film music, The vast majority of writing on film music is concentrated on Hollywood in particular and on a canon of North American scores and films more generally. Recent scholarship acknowledges other traditions of film scoring but little has been written about Euro, European film music to your collection on WonderClub |