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Global repertoires Book

Global repertoires
Global repertoires, With just four record companies controlling nearly 80 per cent of the world market in popular music, issues of globalization are evidently significant to our understanding of how and why popular music is made and distributed. As transnational industries s, Global repertoires has a rating of 3.5 stars
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Global repertoires, With just four record companies controlling nearly 80 per cent of the world market in popular music, issues of globalization are evidently significant to our understanding of how and why popular music is made and distributed. As transnational industries s, Global repertoires
3.5 out of 5 stars based on 4 reviews
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  • Global repertoires
  • Written by author Andreas Gebesmair, International Research Institute for Media, Communication, and Cultural Development, Austria and Alfred Smudits, Institute of Music Sociology, Austria
  • Published by Burlington, VT : Ashgate, 2001., 2002/01/28
  • With just four record companies controlling nearly 80 per cent of the world market in popular music, issues of globalization are evidently significant to our understanding of how and why popular music is made and distributed. As transnational industries s
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Authors

List of Contributors
General Editor's Series Preface
Preface
Introduction 1
Pt. I Structures and strategies of the transnational music and media industry
1 Global strategies and local markets: Explaining Swedish music export success 9
2 The corporate strategies of the major record labels and the international imperative 21
3 One Planet - One Music? MTV and globalization 33
Pt. II Beyond the transnational music industry - The global use and abuse of popular music
4 Sampling the didjeridoo 47
5 Race, ethnicity and the production of Latin/o popular music 57
6 Popular music in ex-Yugoslavia between global participation and provincial seclusion 73
7 Globalization - localization, homogenization - diversification and other discordant trends: A challenge to music policy makers 89
8 Music policy between safeguarding and chauvinism 97
Pt. III Approaches and methods: Popular music research between 'production of culture' and 'anthropology'
9 Up and down the music world. An anthropology of globalization 105
10 Globalization and communalization of music in the production perspective 119
11 Measurements of globalization: Some remarks on sources and indicators 137
12 Hubert von Goisern's Austrian Folk Rock: How to analyse musical genre? 153
Index 171


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