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Taking six key writers of the inter-war period, this original study looks at the way they explore the mother-daughter relationship, finding in it a key to their identity as women and asartists. Providing in-depth critical analyses of Virginia Woolf, Dorothy Richardson, Ivy Compton-Burnett, Elizabeth Bowen, Rose Macaulay and Jean Rhys, this study for the first time enables you to draw parallels between their work and that of female psychoanalysts H�l�ne Deutsch, Melanie Klein and Karen Horney during the inter-war period. It combines theoretical and textual criticism within a specific historical context in an especially useful way. The book concludes that these writers look to the mother to empower them and challenges the view of the mother as a regressive influence.
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