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Preface | ||
The Land of the Piano: Music, Theatre and Performance in Vienna around 1800 | 3 | |
The Sexual Politics of Mozart's Magic Flute and the Genesis of Viennese 'Charm' | 20 | |
Beating the Bounds: Fantasy and Farce in Nestroy's Comedy | 27 | |
Altenberg's African Spectacle: Ashantee in Context | 39 | |
Love's Labour's Lost: Translations of Schnitzler's Reigen | 61 | |
Hofmannsthal's 'Mythological' Opera Arabella | 73 | |
Friedrich Kiesler and Theatrical Modernism in Vienna | 81 | |
Ernst Weiss: The Novelist as Dramatist | 93 | |
Performance and Provocation in Graz, 1960-1966 | 102 | |
The Staging of History in Felix Mitterer's Die Kinder des Teufels | 116 | |
Jelinek's Ibsen: 'Noras' Past and Present | 126 | |
Havel's Satirical Theatre | 139 | |
Haydn Studies and the Mozart Bicentenary | 153 | |
Recent Nestroy Scholarship | 158 | |
The Ideology of the Salzburg Festival | 171 | |
Anton Schindling and Walter Ziegler (eds), Die Kaiser der Neuzeit 1519-1918: Heiliges Romisches Reich, Osterreich, Deutschland | 178 | |
Waltraud Heindl, Gehorsame Rebellen: Burokratie und Beamte in Osterreich, 1780 bis 1848 | 179 | |
Edith Saurer, Strasse, Schmuggel, Lottospiel: Materielle Kultur und Staat in Niederosterreich, Bohmen und Lombardo-Venetien in fruhen 19. Jahrhundert | 180 | |
Peter Branscombe, W. A. Mozart: 'Die Zauberflote'; John A. Rice, W. A. Mozart: 'La clemenza di Tito' | 181 | |
Erich Wolfgang Partsch (ed.), Franz Schubert: Der Fortschrittliche?; Elizabeth Norman McKay, Schubert's Music for the Theatre | 184 | |
Hugo Aust, Peter Haida and Jurgen Hein, Volksstuck; Alfred Ziltener, Hanswursts lachende Erben | 186 | |
Steven Beller, Herzl | 188 | |
Burkhard Spinnen, Schriftbilder: Studien zu einer Geschichte emblematischer Kurzprosa | 189 | |
Samuel Fischer and Hedwig Fischer, Briefwechsel mit Autoren, ed. Dierk Rodewald and Corinna Fiedler | 192 | |
Robert Musil, Precision and Soul: Essays and Addresses, ed. and tr. Burton Pike and David S. Luft; Hannah Hickman (ed.), Robert Musil and the Literary Landscape of his Time; Claus Erhart, Der asthetische Mensch bei Robert Musil | 196 | |
Phillip H. Rhein, The Verbal and Visual Art of Alfred Kubin | 198 | |
Jura Soyfer, Sturmzeit: Briefe 1931-1939; Gerhard Scheit, Theater und revolutionarer Humanismus | 199 | |
Gerald Stieg, Frucht des Feuers: Canetti, Doderer, Kraus und der Justizpalastbrand | 201 | |
Jill Lewis, Fascism and the Working Class in Austria 1918-1934 | 203 | |
Edith Prost (ed.), 'Die Partei hat mich nie enttauscht ...': Osterreichische Sozialdemokratinnen | 203 | |
Johann Holzner, Sigurd Paul Scheichl and Wolfgang Wiesmuller (eds), Eine schwierige Heimkehr. Osterreichische Literatur im Exil 1938-1945; Peter Muhr, Paul Feyerabend and Cornelia Wegeler (eds), Philosophie, Psychoanalyse, Emigration | 205 | |
Malcolm Pines and Roy Wisbey (eds), Translation in Transition: The Question of the 'Standard Edition' | 207 | |
Gunther Feuerstein, Visionare Architektur: Wien 1958/1988; Peter Noever (ed.), Tradition und Experiment: Das Osterreichische Museum fur Angewandte Kunst; John Zukowsky and Ian Wardropper, Austrian Architecture in the Nineties | 210 | |
Notes on Contributors | 215 | |
Austrian Studies | 218 |
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Add Theatre and performance in Austria, This volume analyses the Austrian tradition of theatre and performance, from the musical culture of Haydn's Vienna to the Salzburg Festival and the political theatre of the present day. The topics discussed include Mozart's The Magic Flute, the comedies o, Theatre and performance in Austria to the inventory that you are selling on WonderClubX
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Add Theatre and performance in Austria, This volume analyses the Austrian tradition of theatre and performance, from the musical culture of Haydn's Vienna to the Salzburg Festival and the political theatre of the present day. The topics discussed include Mozart's The Magic Flute, the comedies o, Theatre and performance in Austria to your collection on WonderClub |