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| List of Contributors | ||
| Preface | ||
| Acknowledgements | ||
| 1 | Empire Gothic: Explanation and Epiphany in Conan Doyle, Kipling and Chesterton | 3 |
| 2 | The House on the Borderland: the Sexual Politics of Fear | 24 |
| 3 | Horror in the 1890s: the Case of Arthur Machen | 35 |
| 4 | A Word kept back In The Turn of the Screw | 47 |
| 5 | M.R. James and his Fiction | 64 |
| 6 | Harry Price and the Haunted Rectory | 75 |
| 7 | Not like Men in Books, Murdering Women: Daphne du Maurier and the Infernal World of Popular Fiction | 86 |
| 8 | Horrors and Menaces to Everything Decent in Life: the Horror Fiction of Dennis Wheatley | 99 |
| 9 | The Abolition of Man? Horror in the Science Fiction of C.S. Lewis | 111 |
| 10 | Scared Shitless: the Sex of Horror | 123 |
| 11 | Horrible Writing: the Early Fiction of James Herbert | 147 |
| 12 | At Home all was Blood and Feathers: the Werewolf in the Kitchen - Angela Carter and Horror | 161 |
| 13 | Worlds that Creep upon You: Postmodern Illusions in the Work of Clive Barker | 176 |
| Index | 187 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Xxge Xxge
reviewed Creepers on August 13, 2020
Creepers
Everybody can watch movies, the difference is that Bloom gets paid to do that. And the Brits get to watch less movies as they have to work more to pay the wages of a Bloom-like army of academics.
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