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Acknowledgements* Introduction
• Changing History: the Republic and Northern Ireland since 1990 --Michael Parker
• Flying High? Culture, Criticism, Theory since 1990 --Scott Brewster
• Part One: Drama
• ‘Home Places: Irish Drama since 1990’ - Clare Wallace and Ondrej Pilny
• ‘Foregrounding the Body and Performance in Plays by Gina Moxley, Emma Donoghue and Marina Carr --Maria Kurdi
• ‘The Stuff of Tragedy? Representations of Irish Political Leaders in the
‘Haughey’ Plays of Carr, Barry and Breen --Anthony Roche
• ‘New Articulations of Irishness and Otherness on the Contemporary Irish Stage’ --Martine Pelletier
• Part Two: Poetry
* ‘Scattered and Diverse: Irish Poetry Since 1990’ --Jerzy Jarniewicz and John McDonagh
• Architectural Metaphors: Representations of the House in the Poetry of Eiléan Ní
Chuilleanáin and Vona Groarke’ --Lucy Collins
• ‘The places I go back to’: Familiarisation and Making Strange in Seamus Heaney’s Later Poetry --Joanna Cowper
• ‘Neither Here Nor There’: New Generation Northern Irish Poets (Sinead Morrissey and Nick Laird) --Michael Parker
• Part Three: Fiction
• ‘Tomorrow we will change our names, invent ourselves again’: Irish Fiction and
• Autobiography since 1990 --Liam Harte
• Anne Enright and Postnationalism in the Contemporary Irish Novel --Heidi Hansson
• Seamus Deane’s Reading in the Dark, John Walsh’s The Falling Angels and John McGahern’s Memoir --Stephen Regan
• Secret Gardens: Unearthing the Truth in Patrick O’Keeffe’s The Hill Road - Vivian Valvano Lynch
• ‘What’s it like being Irish?’: The Return of the Repressed in Roddy Doyle’s Paula Spencer --Jennifer M. Jeffers
• Remembering to Forget: Northern Irish Fiction after the Troubles --Neal Alexander
• Part Four : After Words
• ‘What Do I Say When They Wheel out Their Dead?’: The Representation of Violence in Northern Irish Art --Shane Alcobia-Murphy
• Notes on contributors
• Index
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