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List of illustrations | ||
Notes on the contributors | ||
Acknowledgements | ||
Introduction | 1 | |
1 | Translation in distress: cultural misappropriation and the construction of the Gothic | 17 |
2 | European disruptions of the idealized woman: Matthew Lewis's The Monk and the Marquis de Sade's La Nouvelle Justine | 39 |
3 | Diderot and Maturin: Enlightenment, automata, and the theatre of terror | 55 |
4 | Verging on the Gothic: Melmoth's journey to France | 71 |
5 | Europhobia: the Catholic other in Horace Walpole and Charles Maturin | 84 |
6 | European Gothic and nineteenth-century Russian literature | 104 |
7 | The robbers and the police: British romantic drama and the Gothic treacheries of Coleridge's Remorse | 128 |
8 | Translating Mary Shelly's Valperga into English: historical romance, biography or Gothic fiction? | 147 |
9 | 'Hallelujah to your dying screams of torture': representations of ritual violence in English and Spanish romanticism | 161 |
10 | Potocki's Gothic Arabesque: embedded narrative and the treatment of boundaries in The Manuscript Found in Saragossa (1797-1815) | 183 |
11 | The Gothic crosses the Channel: abjection and revelation in Lae Fantome de l'Opera | 204 |
12 | 'A detour of filthiness': French fiction and Djuna Barnes's Nightwood | 230 |
Index | 252 |
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Add European Gothic, European Gothic: A Spirited Exchange 1760-1960 sets out to challenge the tyranny of the Anglo-American narratives that have dominated critical histories of the Gothic so far. It argues that the Gothic novel did not simply derive from The Castle , European Gothic to the inventory that you are selling on WonderClubX
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Add European Gothic, European Gothic: A Spirited Exchange 1760-1960 sets out to challenge the tyranny of the Anglo-American narratives that have dominated critical histories of the Gothic so far. It argues that the Gothic novel did not simply derive from The Castle , European Gothic to your collection on WonderClub |