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List of figures | ||
Acknowledgements | ||
Introduction: (In)appropriate(d) others or how Vanessa Redgrave turned me lesbian | 1 | |
1 | The appropriateness of appropriation | 11 |
2 | Psychoanalysis and the lesbian supplement | 35 |
3 | Fantastic desires | 53 |
4 | 'In the good old days when times were bad': The nostalgia for abjection in lesbian cinema spectatorship | 79 |
5 | Stars and their proclivities | 116 |
6 | Fostering the illusion | 134 |
Afterword: The persistence of the specular | 160 | |
Bibliography | 167 | |
Index | 177 |
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Add Screen dreams, From the introduction to the afterword, Clare Whatling argues that there is no such thing as a lesbian film, rather films are lesbianized by the audiences that watch them. This book is an examination of some of the things that audiences do to films in gen, Screen dreams to the inventory that you are selling on WonderClubX
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Add Screen dreams, From the introduction to the afterword, Clare Whatling argues that there is no such thing as a lesbian film, rather films are lesbianized by the audiences that watch them. This book is an examination of some of the things that audiences do to films in gen, Screen dreams to your collection on WonderClub |