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Preface | 7 | |
Introduction: Pulci's Half-Serious Rhymes | 13 | |
Ch. 1 | Point of Departure: Orlando Rifatto | 33 |
Brunoro's Feast | 34 | |
Astolfo on the Scaffold | 41 | |
Rinaldo in Love | 51 | |
Ch. 2 | The Limits of Rewriting: The Margutte Episode | 65 |
Margutte | 65 | |
Sosia | 74 | |
Florinetta | 80 | |
Ch. 3 | Spectacle into Poetry: La Giostra di Lorenzo de' Medici | 93 |
The Combatants | 96 | |
The Joust | 104 | |
Ch. 4 | False Starts: The New Morgante and the Ciriffo Calvaneo | 115 |
The Gathering Storm | 115 | |
The Return of Antea | 127 | |
The Ciriffo Calvaneo | 134 | |
Ch. 5 | History or Romance? Roncevaux and Charlemagne | 145 |
Arnaldo | 145 | |
Alcuino | 154 | |
Poliziano | 162 | |
App | Selected Source Texts | 171 |
Orlando, vi. 1-36 | 172 | |
Orlando, XXXI. 16-XXXII. 6 | 180 | |
Driadeo d'amore, II. 5-15 | 186 | |
Bibliography | 189 | |
Index of References to the Principal Texts | 195 | |
Index of Names | 197 |
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Add Half-Serious Rhymes : The Narrative Poetry of Luigi Pulci, Byron, in Don Juan, called Pulci (1432-84) sire of the half-serious rhyme, and modelled his style on Pulci's major work, the Morgante. The phrase identifies the ambivalent quality of Pulci's verse, which was his distinctive legacy to the romantic epic, Half-Serious Rhymes : The Narrative Poetry of Luigi Pulci to the inventory that you are selling on WonderClubX
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Add Half-Serious Rhymes : The Narrative Poetry of Luigi Pulci, Byron, in Don Juan, called Pulci (1432-84) sire of the half-serious rhyme, and modelled his style on Pulci's major work, the Morgante. The phrase identifies the ambivalent quality of Pulci's verse, which was his distinctive legacy to the romantic epic, Half-Serious Rhymes : The Narrative Poetry of Luigi Pulci to your collection on WonderClub |